In poems 11 to 20 of Leaves of Grass, Whitman is inclusively mimetic: He attempts to represent everyone’s reality. This purpose is epitomized in poem 15, where the author, or everyone, is describing everyone’s reality without trouble because all reality is his reality; from the “pure contralto [who] sings in his organ loft” (15), to the “old husband [who] sleeps by his wife, and the young husband [who] sleeps by his wife” (15), the author, or everyone, as he so explained in the first poem, is everyone and everything and every possible situation at once.
Sunday, December 13, 2009
All Hail Whitman
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This is sort of superficial. I wanted more depth, like you had in the first paragraph.
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